Foster the People


Foster the People is an American indie pop band formed in Los Angeles, California, in 2009. It currently consists of lead vocalist Mark Foster, lead guitarist Sean Cimino, keyboardist Isom Innis, and drummer Mark Pontius. Foster founded the band in 2009 after spending several years in Los Angeles as a struggling musician and working as a commercial jingle writer. After Foster's song "Pumped Up Kicks" became a viral success in 2010, the group received a record deal from Startime International and gained a fanbase through small club shows and appearances at music festivals. After releasing their debut album Torches in May 2011, "Pumped Up Kicks" became a crossover hit on commercial radio in mid-2011 and eventually reached number three on the Billboard Hot 100. The record also featured the singles "Helena Beat" and "Don't Stop (Color on the Walls)". The group received three Grammy Award nominations for Torches and "Pumped Up Kicks". After touring for two years in support of Torches, Foster the People released their second album, Supermodel, in March 2014. It was preceded by the lead single "Coming of Age". In July 2017, the band released their third studio album, Sacred Hearts Club, with the addition of Isom Innis and Sean Cimino, both former touring members, to the official lineup. From this album, their song "Sit Next to Me" peaked at number 42 on the Billboard Hot 100 and was certified double platinum by the RIAA. 

Foster the People who formed in autumn 2009, but because of the speed with which information is disseminated these days, their song Pumped Up Kicks, which has yet to see an official release, is already being talked about as one of the sure-fire surprise hits of the summer. It's one of those lo-fi indie tracks that, like Peter Bjorn and John's Young Kids, has "alternative anthem" written all over it. Its crossover potential is confirmed by the simple, shuffling beat, the buoyant Brian Wilson bassline, and the outrageously catchy melody. The tune is sung through some muffling device that merely serves to make you strain even harder to hear the words, and after a verse or two the melody is bolstered by some whistling. And if that wasn't enough to ingratiate itself into the heads and hearts of festivalgoers this summer, the lyrics are well chant-worthy. 


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