Doobie Brothers’ 5 Greatest Songs

 With the yacht rock captains cruising into the Rock and Roll Hall of Fame, come on down and listen to the music 

The Doobie Brothers posed in Amsterdam, Netherlands in 1975 L-R Tiran Porter, Jeff 'Skunk' Baxter, Michael McDonald, Keith Knudsen, John Hartman, front - Pat Simmons. 

With the Doobie’s Hall of Fame induction, there’s never been a better time to get familiar with the captains of Yacht Rock. Their heyday was basically the entire decade of the Seventies, though a major shift occurred when frontman Tom Johnston, who wrote the majority of their hits, stepped aside in 1975 to deal with a bleeding ulcer and other medical issues.  

They recruited a largely-unknown Michael McDonald, who was fresh out of Steely Dan, and kept jamming out the hits, albeit with a bit of a funkier edge to them. Here’s a look at five of the songs that helped them secure a spot in the Rock and Roll Hall of Fame. 

1. “Listen To The Music” (1972) 

The Doobie Brothers were in serious danger of vanishing without a trace shortly before they released “Listen to the Music” in the summer of 1972. Their self-titled debut LP peaked at a pathetic 210 on the charts, and they feared their follow-up, Toulouse Street, would do the same and result in Warner Bros. dropping them. All that changed when rock radio embraced lead-off single “Listen to the Music” and put it in heavy rotation all over the country, bringing it to Number 11 on the Hot 100. The anthemic, joyful tune was written by the Doobies’ own Tom Johnston as an ode to the power of music as a uniting force. It’s the perfect showcase for the group’s three-part harmony sound, and it’s remained a cornerstone of their live act ever since.  

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2. “China Grove” (1973) 

Even after they broke through to the mainstream with the mellow vibes of “Listen to the Music,” the Doobies still held onto their biker-rock edge. “China Grove,” which conjured images of crowded, Hells Angels-populated bars, began during a loud basement jam between Johnston and founding drummer John Hartman, and they developed it into one of the band’s hardest-slamming tracks. What takes “China Grove” to another level are Johnston’s lyrics, likely inspired by the time the band was passing through Texas on tour and saw a sign for the actual town of China Grove. In Johnston’s mind, the fictional China Grove became a wacky place populated with an insane preacher and a sheriff who was, for some reason, brandishing a samurai sword. The finished track, from their third album, The Captain and Me, cracked the top 20.  

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3. “What a Fool Believes” (1978) 

If yacht rock had to be reduced to a single song, it might be “What a Fool Believes.” Not only was it written by Michael McDonald and Kenny Loggins, two titans of the genre, but the debut episode of the actual Yacht Rock web series was devoted to the song’s creation. In real life, Jeff “Skunk” Baxter didn’t threaten to fire McDonald from the Doobies if he didn’t produce a hit song. He was already four years into his role as in the group and had demonstrated his songwriting chops over and over, but this one went to Number One and remains one of their most beloved and well-known tunes. They rarely play it without McDonald, they’ll be joined by the man himself this summer and will surely break it out every single night.  

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4. “Long Train Runnin'” (1973) 

Side One of 1973’s The Captain and Me kicks off with a startlingly great three-song streak: “Natural Thing” and “China Grove,” with the rollicking soul burner “Long Train Runnin'” cozy in between. Lines about a train (“I saw miss Lucy down along the tracks!”) chug along an R&B bass line with bluegrass fingerpicking. Written by Johnston (who takes a sizzling harmonica solo in the video above, complete with Seventies turquoise rings), the song peaked at Number 8 on the Top 100. A fair amount of head-scratching would ensue just two years later, when Led Zeppelin released the eerily similar “Trampled Under Foot.”  

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5. “Black Water” (1974) 

This Patrick Simmons ditty, a showcase for the band’s hippie-folky side, remains one of the Doobies’ crowning happy accidents. It began when Simmons was toying around with the song’s recognizable fingerpicking lick in the studio, and producer Ted Templeman encouraged him to turn that morsel into a song. Simmons later added lyrics based around one of the band’s visits to New Orleans, heard in the rousing a cappella finale of the song. When the Doobies released their fourth album, What Were Once Vices Are Now Habits, in 1974, everyone assumed the hit would be Johnston’s “Another Park, Another Sunday.” But it wasn’t a smash (radio DJs were supposedly turned off by the line “My car is empty and the radio just seems to bring me down”). Months later, the Virgina AM station WROV began playing “Black Water,” the B-side to “Another Park, Another Sunday,”  in honor of the nearby Blackwater River. The song then caught on at other stations around the country, and within months, the Doobies had an unlikely chart-topper.  

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In a spacious suite high above the Las Vegas Strip, Michael McDonald extends his left arm, wiggles his fingers, and glides his arm to his right side. If you didn’t know any better, you’d think he was getting ready for some air piano. But no — he’s actually recalling the day of the floating vomit. The Seventies were winding down, but no one had told the Doobie Brothers. By 1978, they’d had enough big songs to fill one greatest-hits album already, from choogling rockers like “Long Train Runnin’” and “China Grove” to soul-rooted, McDonald-sung hits like “Takin’ It to the Streets.” Along with gold and platinum records, keys to a city, and the usual on-the-road indulgences, they were also rewarded with their own private plane. 

The DoobieLiner wasn’t quite the type of luxurious jet used to fly around Led Zeppelin and Elton John to their shows, but the Martin 404, once used by Eastern Airlines, had coffee tables, reclining chairs, and random copies of Newsweek and Sixteen magazines strewn about; the Doobie logo was painted on its tail. (The Doobie stagehands flew on their own, separate plane, dubbed the CrewbieLiner.) Even better, no one bothered the band members when they were boarding or on board. “You could smoke weed on the plane,” says singer, guitarist, and co-founder Patrick Simmons. “Nobody cared. We had a full bar and drinks and chicks. It was a party in the air, pretty much continuously.” One day, one of the band members even got to fly the DoobieLiner while the pilot watched, and somehow everyone survived. 

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For their eighth studio album, Minute by Minute, someone had the idea of shooting the band aboard the DoobieLiner — in simulated zero-gravity conditions. Their regular pilot, Sam Stewart, took the plane to 12,000 feet, then nosedived straight down and pulled up again. Even though they’d practiced the process a bunch of times, the Doobies started getting nauseous as they began floating, and McDonald found himself staring at someone’s puke as it wafted by. “There’s nothing worse than someone hurling while there’s zero gravity,” he says. “You’re watching the vomit quiver in midair. Then the gravity goes back into play and it lands on someone.” Dressed in blue jeans and a flannel shirt, his trademark beard white and his mane white and swept-back, McDonald recounts this tale with a bemused smile. The photo did wind up on the back of the album, but what about the upchuck? “That’s not in the picture,” he adds. Roughly half a century after they began, the Doobie Brothers are the embodiment of classic-rock respectability. At the time of this conversation with McDonald — the pre-pandemic America of early 2020 — they are in the midst of their first-ever Vegas residency, at the glitzy Venetian Resort. Although McDonald has not been in the band since the early Eighties, he has flown into town to help them prepare for a planned 50th anniversary tour in which he’ll participate. The group is also enjoying the fact that they’ve been voted into the Rock and Roll Hall of Fame, with a ceremony set to take place in Cleveland just before that summer tour. The Doobies and McDonald were once something of a punchline in rock: Remember the classic SCTV skit in which “McDonald” races in and out of a studio while singing his part on Christopher Cross’ “Ride Like the Wind”? Now, though, the Doobies are having the final chuckle. They have been the subject of a tribute album featuring marquee country artists like Brad Paisley and Blake Shelton; hip-hop acts from the late J Dilla to Meek Mill and Drake have sampled them. Earlier this year, Bernie Sanders rallies would sometimes end with “Takin’ It to the Streets” roaring from speakers. For a band that feels it didn’t even get respect from its record company in the old days (“the rest of us were playing second fiddle to Captain Beefheart,” says founding drummer John Hartman), the recognition is long overdue. To paraphrase one of their album titles: What were once vices are now honors.  

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The Doobie Brothers officially entered the Rock & Roll Hall of Fame tonight during a special pandemic-era broadcast and streaming event that replaced the annual live induction ceremony. "It's been quite a ride, from playing clubs in San Jose to recording music that we loved, then playing for people in venues all over the world," longtime leader Tom Johnston said in remotely recorded comments. "It seems unreal, but it's been quite a trip – and we aren't done yet." The Doobie Brothers were joined in this year's class by T. Rex, Depeche Mode and Nine Inch Nails, among others. The induction program is airing live on HBO and HBO Max. "I wish to thank, first of all, the guys who I accept this award with tonight, for their years of friendship and the privilege of allowing me to be a member of the Doobie Brothers," singer Michael McDonald said. "Being a Doobie Brother represents some of the best years of my life. So being inducted into the Rock & Roll Hall of Fame tonight with these guys makes it all the more special for me." Co-founder Patrick Simmons, the only constant through the group's assorted lineup changes, made special mention of "our incredible fans who got us here and stuck with us for over 50 years. We owe you so much," he said. "Someday, we'll all be together again, sharing the music and the love." Other band inductees include current member John McFee, and former contributors Jeff "Skunk" Baxter, John Hartman, the late Michael Hossack, Tiran Porter and Keith Knudsen. "My deepest thanks to the Doobie Brothers family, and all of the members over the years who have been part of this journey," Johnston added. "It's always been about our love of music, and because of the band's success, we now celebrate this induction." An in-person Rock & Roll Hall of Fame ceremony was originally slated for May in Cleveland, then was pushed back to November before being canceled for the first time ever. A planned Doobies reunion tour with McDonald was also postponed. The Doobie Brothers have been eligible since 1996; this was their first nomination. They were introduced by country star Luke Bryan, who memorably joined the group onstage for a 2011 episode of CMT's Crossroads. The Doobies came in third in fan balloting. 

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As one of the most popular California pop/rock bands of the '70s, the Doobie Brothers evolved from a mellow, post-hippie boogie band to a slick, soul-inflected pop band by the end of the decade. Along the way, the group racked up a string of gold and platinum albums in the U.S., along with a number of radio hits like "Listen to the Music," "Black Water," and "China Grove." The roots of the Doobie Brothers lie in Pud, a short-lived California country-rock band in the vein of Moby Grape featuring guitarist/vocalist Tom Johnston and drummer John Hartman. After Pud collapsed in 1969, the pair began jamming with bassist Dave Shogren and guitarist Patrick Simmons. Eventually, the quartet decided to form a group, naming themselves the Doobie Brothers after a slang term for marijuana. Soon, the Doobies earned a strong following throughout Southern California, especially among Hell's Angels, and they were signed to Warner Bros. in 1970. The band's eponymous debut was ignored upon its 1971 release. Following its release, Shogren was replaced by Tiran Porter and the group added a second drummer, Michael Hossack, for 1972's Toulouse Street. Driven by the singles "Listen to the Music" and "Jesus Is Just Alright," Toulouse Street became the group's breakthrough. The Captain and Me (1973) was even more successful, spawning the Top Ten hits "Long Train Runnin'" and "China Grove."  

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Keith Knudsen replaced Hossack as the group's second drummer for 1974's What Were Once Vices Are Now Habits, which launched their first number one single, "Black Water," and featured heavy contributions from former Steely Dan member Jeff "Skunk" Baxter. Baxter officially joined the Doobie Brothers for 1975's Stampede. Prior to the album's spring release, Johnston was hospitalized with a stomach ailment and was replaced for the supporting tour by keyboardist/vocalist Michael McDonald, who had also worked with Steely Dan. Although it peaked at number four, Stampede wasn't as commercially successful as its three predecessors, and the group decided to let McDonald and Baxter, who were now official Doobies, revamp the band's light country-rock and boogie. The new sound was showcased on 1976's Takin' It to the Streets, a collection of light funk and jazzy pop that resulted in a platinum album. Later that year, the group released the hits compilation The Best of the Doobies. In 1977, they released Livin' on the Fault Line, which was successful without producing any big hits. Johnston left the band after the album's release to pursue an unsuccessful solo career. Following his departure, the Doobies released their most successful album, Minute by Minute (1978), which spent five weeks at number one on the strength of the number one single "What a Fool Believes." Hartman and Baxter left the group after the album's supporting tour, leaving the Doobie Brothers as McDonald's backing band.  

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Following a year of auditions, the Doobies hired ex-Clover guitarist John McFee, session drummer Chet McCracken, and former Moby Grape saxophonist Cornelius Bumpus, and released One Step Closer (1980), a platinum album that produced the Top Ten hit "Real Love." During the tour for One Step Closer, McCracken was replaced by Andy Newmark. Early in 1982, the Doobie Brothers announced they were breaking up after a farewell tour, which was documented on the 1983 live album Farewell Tour. After the band's split, McDonald pursued a successful solo career, while Simmons released one unsuccessful solo record. In 1987, the Doobies reunited for a concert at the Hollywood Bowl, which quickly became a brief reunion tour; McDonald declined to participate in the tour. By 1989, the early-'70s lineup of Johnston, Simmons, Hartman, Porter, and Hossack, augmented by percussionist and former Doobies roadie Bobby LaKind, had signed a contract with Capitol Records. Their reunion album, Cycles, went gold upon its summer release in 1989, spawning the Top Ten hit "The Doctor." Brotherhood followed two years later, but it failed to generate much interest. For the remainder of the '90s, the group toured the U.S., playing the oldies circuit and '70s revival concerts. By 1995, McDonald had joined the group again, and the following year saw the release of Rockin' Down the Highway. But the lineup had once again shifted by the turn of the new millennium. In 2000, the band -- Hossack, Johnston, Knudsen, McFee, and Simmons -- issued Sibling Rivalry, which featured touring members Guy Allison on keyboards, Marc Russo on saxophone, and Skylark on bass. The late-'70s incarnation of the band -- Simmons, Johnston, McFee, and Hossack (with Michael McDonald guesting on one track) -- reunited once again to put out World Gone Crazy in 2010. The band-assisted documentary Let the Music Play: The Story of the Doobie Brothers followed in 2012, the same year Hossack died of cancer. 

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In early 2014, the Doobie Brothers -- this time featuring McDonald, Johnston, Simmons, and McFee -- announced they were returning to the studio to record an album filled with country versions of their greatest hits, featuring such Nashville stars as Toby Keith, Brad Paisley, Zac Brown, Sara Evans, and Chris Young. Called Southbound, the album appeared in November, peaking at 16 on the Billboard charts. The Doobies continued to tour -- notably without McDonald -- in the years following Southbound. In 2015, Little Feat's Bill Payne took over the keyboardist slot previously occupied by Guy Allison, and they continued to tour amphitheaters and sheds throughout the U.S. By the end of the decade, they were specializing in shows spotlighting full performances of their Toulouse Street and The Captain and Me albums, all setting the stage for Michael McDonald rejoining the band in 2020 for a 50th Anniversary tour. Prior to these shows, the band was inducted into the Rock & Roll Hall of Fame.  

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The Doobie Brothers are an American band from Northern California whose musical style is influenced by blues, R&B, country, bluegrass, and rock ‘n’ roll. Formed in 1969 by singer/songwriter/guitarist Tom Johnson and singer/songwriter/guitarist Patrick Simmons, the band released their debut album in 1971, and found major success a year later with their second album, Toulouse Street in 1972. The Doobie Brothers were inducted into the Vocal Group Hall of Fame in 2004, have won four GRAMMY® Awards and sold more than 48 million records worldwide (including three multi-platinum, seven platinum, and 14 gold albums). Their 1976 Best of the Doobies has sold more than 12 million copies, earning rare RIAA Diamond status. Their No. 1 gold-certified singles “Black Water” (1974) and “What a Fool Believes” (1979) lead a catalog of hits that includes “Listen to the Music,” “Jesus Is Just All Right,” “Rockin’ Down the Highway,” “Long Train Runnin’,” “China Grove,” “Take Me In Your Arms,” Takin’ It to the Streets,” “Minute by Minute,” “You Belong to Me,” and “The Doctor.” In all, The Doobies have tallied five Top 10 singles and 16 Top 40 hits.  

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Drummer John Hartman arrived in California determined to meet Skip Spence of Moby Grape and join an aborted Grape reunion. Spence introduced Hartman to singer, guitarist, and songwriter Tom Johnston and the two proceeded to form the nucleus of what would become the Doobie Brothers. Johnston and Hartman called their fledgling group "Pud" and experimented with lineups (occasionally including Spence) and styles as they performed in and around San Jose. They were mostly a power trio (along with bassist Greg Murphy) but briefly worked with a horn section. In 1970, they teamed up with singer, guitarist, and songwriter Patrick Simmons and bassist Dave Shogren. Simmons had belonged to several area groups (among them "Scratch", an acoustic trio with future Doobies bassist Tiran Porter) and also performed as a solo artist. He was already an accomplished fingerstyle player whose approach to the instrument complemented Johnston's rhythmic R&B strumming. While still playing locally around San Jose, the group adopted the name "Doobie Brothers".[8][9] Musician Keith "Dyno" Rosen,[10][11] who lived with[8] or next-door[9] to the band, came up with the name after the band had difficulty coming up with one on their own.[8] According to Tom Johnston, Rosen said, "Why don't you call yourself the Doobie Brothers because you're always smoking pot?"[8] Hartman has said he wasn't involved with choosing the name, and didn't know that "doobie" meant a marijuana joint until Rosen told him.[11] Everyone in the band agreed that "Doobie Brothers" was a "dumb" or "stupid" name.[8][9] Simmons has said the band intended to use the name only for a few early performances until they came up with something better, but they never did. The Doobie Brothers improved their playing by performing live all over Northern California in 1970. They attracted a particularly strong following among local chapters of the Hells Angels and got a recurring gig at one of the bikers' favorite venues, the Chateau Liberté in the Santa Cruz mountains, playing there through the summer of 1970 (although some of these concerts did not include all band members and were of an impromptu nature). A set of demos, which showcased fuzz-toned dual lead electric guitars, three-part harmonies and Hartman's drumming, caught the ear of Warner Brothers' staff A & R representative Ted Templeman, and eventually earned the group a contract at Warner Bros. Records before the year was out. The band's image originally reflected that of their biggest fans—leather jackets and motorcycles. Released in April 1971, their self-titled debut album departed significantly from that image and their live sound of the period. Produced at Pacific Recorders in San Mateo, the album, which failed to chart, emphasized acoustic guitars and reflected country influences. The leadoff song "Nobody", the band's first single, has surfaced in their live set several times over the ensuing decades. Most recently, this song was re-recorded and added to their 2010 album World Gone Crazy. In the late spring/summer of 1971, their record label sent the Doobies out on their first national tour in tandem with the group Mother Earth, the "Mother Brothers Tour". Also in 1971, the group toyed with the idea of adding a second drummer, supplementing Hartman's drumming on some of their shows with that of United States Navy veteran Michael Hossack while still touring behind their first album. Moving to Warner Brothers' newly-acquired Amigo Studios in North Hollywood starting in late October 1971, the band recorded several songs for their next album with Shogren on bass, guitar, and background vocals, but Shogren left after disagreements with the group's producer, Ted Templeman. Shogren was replaced in December 1971 with singer, songwriter and bass guitarist Tiran Porter, while Hossack was added to the lineup at the same time as a regular. Porter and Hossack were both stalwarts of the Northern California music scene, Porter having previously played in Scratch with Simmons. Porter brought a funkier bass style and added his husky baritone to the voices of Johnston and Simmons, resulting in a rich three-part blend.  

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Both Streets and Fault Line reflected Johnston's diminished role in the group following his illness. Restored to fitness and briefly back in the fold, he contributed one original song to Streets ("Turn It Loose"), and also sang a verse on Simmons' tune "Wheels of Fortune". He also made live appearances with the band in 1976 (documented in a concert filmed that year at the Winterland in San Francisco, excerpts of which appear occasionally on VH1 Classic), but was sidelined once again that fall due to exhaustion. None of Johnston's songs appeared on Fault Line, though he had written and the band had recorded five of his compositions for the album. Finally, before Fault Line was released, Johnston had his songs removed and he left the band that he co-founded, though he received credit for guitars and vocals and was pictured on the album's inner sleeve band photo. He embarked on a solo career that eventually yielded one modestly successful 1979 Warner Brothers album, Everything You've Heard is True, which featured the single "Savannah Nights", and the less successful album Still Feels Good in 1981. During this period of transition, the band also elevated former roadie Bobby LaKind to onstage backup vocalist and percussionist. In the studio, LaKind first contributed percussion to Streets but had been a member of the band's lighting crew since 1974. Additionally, in early 1978, the band appeared as themselves in two episodes of the ABC sitcom What's Happening!!,[16] performing "Little Darlin' (I Need You)", "Black Water", "Takin' It to the Streets", and "Take Me in Your Arms". After almost a decade on the road, and with seven albums under their belts, the Doobies' career soared with the success of their next album, 1978's Minute by Minute. It spent five weeks atop the charts and dominated several radio formats for the better part of two years. McDonald's song "What a Fool Believes", written with Kenny Loggins, was the band's second No. 1 single and earned the songwriting duo (along with producer Ted Templeman) a Grammy Award for Record of the Year.[17] The album won a Grammy for Pop Vocal Performance by a Group and was nominated for Album of the Year.[17][18] Both "What a Fool Believes" and the title track were nominated for Song of the Year, with "What a Fool Believes" winning the award.[17] Among the other memorable songs on the album are "Here to Love You", "Dependin' On You" (co-written by McDonald and Simmons), "Steamer Lane Breakdown" (a Simmons bluegrass instrumental) and McDonald's "How Do the Fools Survive?" (co-written by Carole Bayer Sager). Nicolette Larson and departed former bandleader Johnston contributed guest vocals on the album. 

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The reformation of the Doobie Brothers was not intentional. On a personal quest for a worthy cause and after conquering his drug addiction, Knudsen became active in the Vietnam Veterans Aid Foundation. In early 1987, he persuaded 11 Doobie alumni to join him for a concert to benefit veterans' causes. Answering the call were Tom Johnston, Pat Simmons, Jeff Baxter, John McFee, John Hartman, Michael Hossack, Chet McCracken, Michael McDonald, Cornelius Bumpus, Bobby LaKind and Tiran Porter, plus their long-time record producer and good friend, Ted Templeman. There were no surplus bass players as Weeks had other commitments. They soon discovered that tickets were in great demand, so the concert quickly evolved into a 12-city tour that began on May 21, 1987, in San Diego. The third concert, held at the Hollywood Bowl, was reportedly the venue's fastest sell-out since the Beatles had played there just over 20 years earlier. The band performed selections from every album using a wide variety of instrumentation that they could not have previously duplicated onstage without the expanded lineup. Baxter and McFee played pedal steel and violin, respectively, during "Black Water" and "Steamer Lane Breakdown". "Without You" featured four drummers and four lead guitarists. Producer Ted Templeman played percussion and LaKind sometimes played Knudsen's drum set while Knudsen went to the front of the stage to join the chorus. Templeman also played the drum set on "What a Fool Believes", as he did on the original hit record. The tour culminated (sans McDonald, McFee and Knudsen) at the Glasnost-inspired July 4 "Peace Concert" in Moscow, with Bonnie Raitt, James Taylor and Santana sharing the bill. Excerpts appearing later that year on the Showtime cable network included a performance of "China Grove". The successful 1987 reunion sparked discussions about reconstituting the band on a permanent basis. They eventually decided to replicate the Toulouse Street/Captain and Me incarnation, settling on a lineup featuring Johnston, Simmons, Hartman, Porter and Hossack, plus more recent addition LaKind, and released Cycles on Capitol Records in 1989. The album featured a Top 10 single, "The Doctor". The song is very similar to "China Grove", and the connection was further enhanced by guest Bill Payne's tinkling piano. Other material on the album included Johnston's "South of the Border", Dale Ockerman's and Pat Simmons' "Take Me to the Highway", and "I Can Read Your Mind", a version of the Isley Brothers' "Need a Little Taste of Love", and a version of The Four Tops classic, "One Chain (Don't Make No Prison)", which had been covered by Santana years before. Cycles proved a successful comeback album and was certified Gold. Bumpus participated in the 1989 and 1990 tours, adding his distinctive voice, keyboards, saxophone and flute. His presence bridged the gap between the current band and the McDonald era; he sang lead vocals on "One Step Closer" (as he originally had on the 1980 album) while Simmons took McDonald's part. The group was further augmented on the 1989 tour by Dale Ockerman (keyboards, guitar, backing vocals), Richard Bryant (percussion, vocals) and Jimi Fox (percussion, backing vocals). After being diagnosed with terminal colon cancer, LaKind stepped down before the tour to focus on his health. 

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In March 2010, longtime bass guitarist/vocalist Skylark resigned from the band after suffering a serious stroke. John Cowan, who had originally toured with the band in the early 1990s, returned to take Skylark's place, and has been with the band ever since. Three months later, before the band embarked on its 2010 summer tour with Chicago, Hossack was forced to sit out following a diagnosis of cancer. Tony Pia, a member of the Brian Setzer Orchestra, was recruited to substitute for Hossack. Pia became an official touring member of the band following Hossack's death in 2012. On September 28, 2010, the Doobie Brothers released their 13th studio album, World Gone Crazy, produced by their longtime producer Ted Templeman. World Gone Crazy was the first Doobie Brothers album Templeman produced since 1980's One Step Closer. The album's first single, "Nobody", was free-streamed on their website. By March 2012, five members of the Doobie Brothers family were deceased: percussionist/vocalist LaKind on December 24, 1992, of colon cancer;[22] original bass guitarist / vocalist Shogren of unreported causes on December 14, 1999;[23] saxophonist, keyboardist, vocalist, and flutist Bumpus of a heart attack on February 3, 2004 while in the air en route to California for a solo tour;[24] drummer, vocalist, and activist Keith Knudsen on February 8, 2005 of cancer and chronic pneumonia;[25] and drummer Michael Hossack of cancer on March 12, 2012. On November 13, 2012, the Doobie Brothers released an official documentary, Let the Music Play: The Story of The Doobie Brothers. It features interviews and rare footage from their early days of the 1970s to the present day. Johnston, Simmons, McDonald, McFee, Porter, and Baxter, along with manager Bruce Cohn, producer Ted Templeman, and members of the Johnston and Simmons families are interviewed in the film. In March 2014, the Doobie Brothers, in conjunction with Sony Music Nashville, announced that their 14th studio album would be released featuring the greatest hits of their 40+-year career. The album would feature lead and backing vocals from several country artists, and Michael McDonald returned to collaborate on the album. Featured artists included Sara Evans, Vince Gill, Hunter Hayes, Casey James, Toby Keith, Love and Theft, Jerrod Niemann, Brad Paisley, Blake Shelton, Tyler Farr, Chris Young, Charlie Worsham, and the Zac Brown Band. The album, entitled Southbound, was released on November 4, 2014. The following day, the Doobie Brothers and Michael McDonald were featured musical guests on the 47th Annual CMA Awards to celebrate its release, and were joined by Hunter Hayes, Jennifer Nettles, and Hillary Scott in a performance of "Listen to the Music". At the end of the ceremony, in addition to Hayes, Nettles, and Scott, they were joined by co-host Brad Paisley for "Takin' It to the Streets". 

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On the afternoon of September 11, 2015, the Doobie Brothers performed at the Lockn' Festival in Arrington, Virginia, sharing the stage with the jam band String Cheese Incident. The Doobies then flew to Cherokee, North Carolina for an evening concert. In October 2015, Payne left Little Feat and officially took over Guy Allison's duties as the Doobies' keyboardist. On November 24, 2015, the Doobie Brothers together with Journey launched a tour featuring Dave Mason. The tour started on May 12, 2016, at the Irvine Meadows Amphitheatre and concluded on September 4, 2016, when the Doobies and Journey joined the Steve Miller Band and Santana at AT&T Park. They appeared at Warren Haynes Christmas Jam on December 12, 2015, however Johnston did not appear at the show due to knee surgery. They officially officially announced that Payne would replace Allison on December 1, 2015. In March 2016, the Doobie Brothers signed under new management with Irving Azoff.[27] Drummer Tony Pia left the band in the summer of 2016, leaving Ed Toth as the band's sole drummer. In January 2017, the Doobie Brothers announced that Chicago would once again join them for their Summer 2017 tour. The tour began on June 7 at the Concord Pavilion and wrapped up on July 30 in Virginia Beach. They appeared with the Eagles and Steely Dan at the Classic concerts for two weekends in July 2017. These concerts took place on July 15 at Dodger Stadium billed as the Classic West and July 29 Citi Field as the Classic East. The success of these concerts led an appearance at the Classic Northwest concert on September 30 held at Safeco Field, opening again for the Eagles. The band took the last leg of their 2017 world tour to Europe in late October and early November, opening for Steely Dan. During 2018 they announced that they would tour again with Steely Dan. This tour began in Charlotte, North Carolina and concluded in Bethel, New York in July. Former Allman Brothers percussionist Marc Quiñones joined the band in May 2018[28] and on July 16, 2018, the band announced that they would perform the Toulouse Street and The Captain and Me albums in their entirety along with a selection select of hits, at the Beacon Theatre in New York City on November 15 and 16, 2018. These shows marked the first time the band performed at the theatre in 25 years.[29] The concerts were recorded and subsequently released as a live album on June 28, 2019. During the summer of 2019 the band toured with Santana. On November 18, 2019, the band performed at the Ryman Auditorium in Nashville and performed the Toulouse Street and The Captain and Me albums in their entirety once again. Michael McDonald joined the band for an encore and they performed "Takin' It to the Streets". At the end of the concert, Simmons made the announcement that McDonald would re-join the band and participate in the band's 50th Anniversary tour. Since the early 2000s, they have headlined and performed at many benefit concerts including former manager Cohn's B.R. Cohn Winery in Glen Ellen where they had also shared the stage with McDonald in 2006 and 2012. Cohn sold his winery in 2015 to set his primary focus on managing the band and the B.R Cohn Charity Fall Music Festival was relocated to the Sonoma Valley Field of Dreams. The festival was renamed the Sonoma Music Festival. The Doobie Brothers and McDonald, Chicago and Ringo Starr headlined the three-day event.  

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The iconic GRAMMY®-awarded group The Doobie Brothers will be making its Grand Ole Opry debut on Sat., Feb. 26.  Founding members Pat Simmons and Tom Johnston along with members John McFee (known to country music audiences for his days in Southern Pacific) and Guy Allison will be joined by touring member John Cowan, originally of New Grass Revival, in a performance of Doobie hits and songs from their newest release World Gone Crazy. The Doobie Brothers, celebrated as one of the greatest American bands of all time, kick off their 40th Anniversary celebration in April 2011.  With countless hits and over 40 million records sold, the band has had a strong connection with country music throughout the years with such songs as “Black Water” and “Long Train Running.”  Their newest album, World Gone Crazy, continues the country connection with a guest performance from Willie Nelson on “I Know We Won.”  The title track goes to country radio as a single this week. In celebration of the debut, fans can visit opry.com now through Thurs., Feb. 24 to enter to win the opportunity to meet the Doobie Brothers backstage at the Opry on the night of the group’s, debut.  Other performers scheduled for the same weekend include Opry members Vince Gill, Alison Krauss, and Montgomery Gentry as well as Dan Tyminski, Gretchen Wilson, The Oak Ridge Boys, and many others.  Among those coming in March to the Opry stage are The Band Perry, Blake Shelton, and Carrie Underwood.  

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The Doobie Brothers announce their first ever full-album performances, on two historic nights in New York City at The Beacon Theatre, November 15 and 16, 2018. The band will perform Toulouse Street plus select hits on Thursday, November 15, and The Captain and Me plus select hits on Friday, November 16. This is definitive Doobies at their most powerful, and fans will delight in hearing the deep cuts, some of which the band has never played live in concert. These shows mark the first time The Doobie Brothers have performed at the Beacon Theatre in 25 years. Tickets for both shows go on sale July 23, 2018 and are available. Fans will have first access to tickets for both nights starting tomorrow, July 17th at 10am local. A limited number of special VIP packages will also be available, including premium seating, pre show meet & greet with band, exclusive commemorative merchandise & more! Platinum-selling, Toulouse Street (1972), launched The Doobie Brothers to stardom with the hits “Listen to The Music” “Rockin’ Down the Highway” and “Jesus is Just Alright.” Double-platinum selling, The Captain and Me (1973), was the band’s third studio album, producing the hits “Long Train Runnin’,” “China Grove,” and fan favorites “South City Midnight Lady” and “Without You.” These back-to-back classic albums represent one of the greatest one-two vinyl punches of the 1970s; the LPs that put the Doobies on the map and on the path as one of the most iconic bands of their generation. Many of the songs on both of these albums are still played every day on the radio, a testament to the timelessness of the music. These historic performances will no doubt go down as some of the most important shows the band has ever played, right up there with the classic 1975 Bill Graham S.N.A.C.K. concert in San Francisco to the 1979 No Nukes shows at Madison Square Garden. “We are excited to be returning to The Beacon Theatre and to have the chance to perform these albums for our fans in such an intimate setting. Playing these tracks live that we haven’t played since we recorded them is going to be an undertaking we are looking forward to,” adds The Doobie Brothers.